So a long time ago Dad wanted me to add a bunch of Cary Grant, Gregory Peck, and Gary Cooper movies to the Netflix queue. Naturally he wanted dramas, not comedies, so I looked through what they had and tried to add every drama that sounded interesting. Unfortunately, they had an incorrect summary for the movie Only Angels Have Wings and I thought that brief summary sounded so interesting that I got the thing without looking up more in-depth information.
It was ... pretty lame, honestly. Not super terrible, but not great either. It was just kind of ... there. And while the summary made it sound like Cary Grant's character had made some terrible error and was spending the movie trying to regain respect from the other pilots, that ... wasn't how it was at all. It was some other dude who made the error, and honestly, it really was a super bad one. He bailed out of a malfunctioning plane and left his mechanic to die (which he did ... die, that is). Apparently he deliberately left the guy to die because he was a coward. That was the impression given, anyway, rather than that he bailed out thinking the mechanic was bailing out too. And his wife had acted really awful with Cary Grant's character in the past, and she was supposed to be acting really awful about her current husband, but they didn't do a good job of showing that. She wanted to know what he had done that was so horrible it was causing everyone to shun him, which is a normal reaction for anyone. Apparently she wanted to know for her sake and not because of his, but they didn't really bring that out very well. So instead the movie came off looking like it was bashing the idea of a wife wanting to know the skeleton in her husband's closet in general. Naturally she should respect his privacy if there are things he doesn't want to/feels he can't tell her (which was something Barbara Keane on Gotham couldn't seem to grasp and was one of the main things that ticked me off about her), but sometimes if you really love someone you want to know everything that's going on in their life, especially if it's something that's bringing sadness. And honestly, this character was coming off as just being worried about her husband. If Cary Grant's character hadn't gone off on a tangent insisting she was only concerned about herself, I wouldn't have realized that was what they were driving at. It was still hard to believe it after he said it, because the woman just wasn't being portrayed that way.
There were a few moments of humanity, mostly involving the best friend of Cary Grant's character, and I did like that they showed Cary Grant's character felt things deep down but just tried not to show it. That was moving on some level. But mostly the movie felt very cold and emotionless and macho, really. And it was supposed to have a lot of exciting scenes of planes flying, and there weren't that many, honestly. Most plane scenes were close-ups that were filmed on a soundstage. I find it hard to believe that such a blah movie could have actually been the inspiration for a TV series like Tales of the Golden Monkey (which was the inspiration for TaleSpin, according to Wikipedia). TaleSpin, with all of its heart and soul, couldn't be more different from this thing.
And I had a dream today about Charles Nelson Reilly being dead (which he has been for ten years) and them doing some kind of tribute with his All Dogs Go to Heaven character feeling sad about him being gone. Also, H. M. Wynant was in it for some reason. That was a nicely depressing thing to wake up from, especially considering how special Charles Nelson Reilly and that character are to me. I became obsessed with All Dogs Go to Heaven during a very discouraging time in my life and the movie and that character really helped to buoy me up. I really didn't need to have his death fresh in my mind again right now.
I hope tomorrow's Pony episodes are good. I wasn't that impressed by the trailer, but I am remaining ... cautiously hopeful. I'm also not that happy that the main characters and Spike get transformed into sea creatures in the upcoming movie, but hopefully it's just for a scene or so. I am excited that we're getting Sea-Ponies in general. And all the merchandise planned for the movie thrills me and makes me very nostalgic for the G1 era.
Also, now I've gotten so far into my Turtles timeline and Barney has improved himself and his relationship with Baxter so much, it's kind of depressing reading back on the older fics where they're still having problems. I still feel kind of weird about the fact that I created most of the details of their problems, albeit they definitely had some in canon judging from Barney's episode. At least I don't feel outright guilty about it anymore. That dark and depressing and twisted fic I read certainly cured me of that.
It's strange when I have one thing planned for a character and something totally different happens. Both with Baby Face and Snakes, I never intended for them to be anything other than bad guys. Then I got intrigued with various elements of how I was writing them and that's what caused me to flesh them out. With Barney, it was sort of the same thing, as I started out planning to make him like the 2003 Baxter, albeit with a little more humanity. Then I decided that wasn't fair to the character when we knew so little about him in canon and I wanted him to be better than the 2003 Baxter, who was basically sane but evil. So Barney became much more troubled instead, and unlike the 2003 Baxter's idiocy, he regretted being with Shredder and Krang more and more until he started working against them at times and finally turned against them altogether. Now he's actually turning his life around and it's lovely.
Ugh, I hope I feel happier later today. That dream really did bum me out and I was also feeling a little depressed from looking in one of the earlier Turtles stories, as mentioned. And then other unhappy memories came to the surface again that I would rather not talk about.
It was ... pretty lame, honestly. Not super terrible, but not great either. It was just kind of ... there. And while the summary made it sound like Cary Grant's character had made some terrible error and was spending the movie trying to regain respect from the other pilots, that ... wasn't how it was at all. It was some other dude who made the error, and honestly, it really was a super bad one. He bailed out of a malfunctioning plane and left his mechanic to die (which he did ... die, that is). Apparently he deliberately left the guy to die because he was a coward. That was the impression given, anyway, rather than that he bailed out thinking the mechanic was bailing out too. And his wife had acted really awful with Cary Grant's character in the past, and she was supposed to be acting really awful about her current husband, but they didn't do a good job of showing that. She wanted to know what he had done that was so horrible it was causing everyone to shun him, which is a normal reaction for anyone. Apparently she wanted to know for her sake and not because of his, but they didn't really bring that out very well. So instead the movie came off looking like it was bashing the idea of a wife wanting to know the skeleton in her husband's closet in general. Naturally she should respect his privacy if there are things he doesn't want to/feels he can't tell her (which was something Barbara Keane on Gotham couldn't seem to grasp and was one of the main things that ticked me off about her), but sometimes if you really love someone you want to know everything that's going on in their life, especially if it's something that's bringing sadness. And honestly, this character was coming off as just being worried about her husband. If Cary Grant's character hadn't gone off on a tangent insisting she was only concerned about herself, I wouldn't have realized that was what they were driving at. It was still hard to believe it after he said it, because the woman just wasn't being portrayed that way.
There were a few moments of humanity, mostly involving the best friend of Cary Grant's character, and I did like that they showed Cary Grant's character felt things deep down but just tried not to show it. That was moving on some level. But mostly the movie felt very cold and emotionless and macho, really. And it was supposed to have a lot of exciting scenes of planes flying, and there weren't that many, honestly. Most plane scenes were close-ups that were filmed on a soundstage. I find it hard to believe that such a blah movie could have actually been the inspiration for a TV series like Tales of the Golden Monkey (which was the inspiration for TaleSpin, according to Wikipedia). TaleSpin, with all of its heart and soul, couldn't be more different from this thing.
And I had a dream today about Charles Nelson Reilly being dead (which he has been for ten years) and them doing some kind of tribute with his All Dogs Go to Heaven character feeling sad about him being gone. Also, H. M. Wynant was in it for some reason. That was a nicely depressing thing to wake up from, especially considering how special Charles Nelson Reilly and that character are to me. I became obsessed with All Dogs Go to Heaven during a very discouraging time in my life and the movie and that character really helped to buoy me up. I really didn't need to have his death fresh in my mind again right now.
I hope tomorrow's Pony episodes are good. I wasn't that impressed by the trailer, but I am remaining ... cautiously hopeful. I'm also not that happy that the main characters and Spike get transformed into sea creatures in the upcoming movie, but hopefully it's just for a scene or so. I am excited that we're getting Sea-Ponies in general. And all the merchandise planned for the movie thrills me and makes me very nostalgic for the G1 era.
Also, now I've gotten so far into my Turtles timeline and Barney has improved himself and his relationship with Baxter so much, it's kind of depressing reading back on the older fics where they're still having problems. I still feel kind of weird about the fact that I created most of the details of their problems, albeit they definitely had some in canon judging from Barney's episode. At least I don't feel outright guilty about it anymore. That dark and depressing and twisted fic I read certainly cured me of that.
It's strange when I have one thing planned for a character and something totally different happens. Both with Baby Face and Snakes, I never intended for them to be anything other than bad guys. Then I got intrigued with various elements of how I was writing them and that's what caused me to flesh them out. With Barney, it was sort of the same thing, as I started out planning to make him like the 2003 Baxter, albeit with a little more humanity. Then I decided that wasn't fair to the character when we knew so little about him in canon and I wanted him to be better than the 2003 Baxter, who was basically sane but evil. So Barney became much more troubled instead, and unlike the 2003 Baxter's idiocy, he regretted being with Shredder and Krang more and more until he started working against them at times and finally turned against them altogether. Now he's actually turning his life around and it's lovely.
Ugh, I hope I feel happier later today. That dream really did bum me out and I was also feeling a little depressed from looking in one of the earlier Turtles stories, as mentioned. And then other unhappy memories came to the surface again that I would rather not talk about.